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Wilson wrote in 1971 that Armstrong was “the root source that moved jazz onto the path along which it has developed for more than 45 years.” There was nothing in Armstrong’s early years to suggest that he was destined for greatness.Born into poverty in New Orleans, he sang on street corners as a child and studied music while confined to the Colored Waifs’ Home for Boys. Before he was out of his teens, he was a fixture on the New Orleans music scene; a few years later he moved to Chicago, where he made the records that changed jazz history.
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We offer no-interest financing and delivery of some of the most comfortable beds and furnishings you can buy.Was Louis Armstrong the world’s most beloved entertainer, or was he the single most important musician in the history of jazz? To millions, Armstrong, who died 45 years ago today, was the human ray of sunshine with the mile-wide smile, the gravelly voice and the peerless way with a song — the man whose joyous rendition of “Hello, Dolly!,” recorded when he was in his 60s, momentarily ended the Beatles’ three-month reign at the top of the singles chart.To jazz aficionados, he was also something more: the trumpet virtuoso with the boundless musical imagination who almost singlehandedly shifted the focus of jazz from collective improvisation to individual expression — the man whose playing on the remarkable Hot Five and Hot Seven sessions, recorded when he was in his 20s, virtually defined the art of the jazz solo.Miles Davis said it was impossible to play anything on a horn that Armstrong hadn’t already played.Dizzy Gillespie put it this way: “His style was equally copied by saxophonists, trumpet players, pianists and all of the instrumentalists who make up the jazz picture.” The New York Times jazz critic John S.